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	<title>official &#8211; Digitex Solutions</title>
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		<title>Adobe recently unveiled a new service called &#8220;Firefly,&#8221; an all-in-one creative tool that can be impl..</title>
		<link>https://www.digiteex.com/adobe-recently-unveiled-a-new-service-called-firefly-an-all-in-one-creative-tool-that-can-be-impl/</link>
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		<dc:creator><![CDATA[digitex]]></dc:creator>
		<pubDate>Sun, 27 Apr 2025 19:02:23 +0000</pubDate>
				<category><![CDATA[AI]]></category>
		<category><![CDATA[a new service called "Firefly]]></category>
		<category><![CDATA[creative applications]]></category>
		<category><![CDATA[Express]]></category>
		<category><![CDATA[Firefly]]></category>
		<category><![CDATA[Firefly Board]]></category>
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		<guid isPermaLink="false">https://www.digiteex.com/adobe-recently-unveiled-a-new-service-called-firefly-an-all-in-one-creative-tool-that-can-be-impl/</guid>

					<description><![CDATA[사진 확대 Adobe&#8217;s &#8216;Firefly&#8217; has evolved into an all-in-one platform for AI content creation. &#60;Video = Dobie&#62; Adobe recently unveiled a new service called &#8220;Firefly,&#8221; an all-in-one creative tool that can be implemented on a single platform from content idea planning to creation and production through generative artificial intelligence (AI).According to Adobe on the 27th, [&#8230;]]]></description>
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         사진 확대    Adobe&#8217;s &#8216;Firefly&#8217; has evolved into an all-in-one platform for AI content creation. &lt;Video = Dobie&gt;  Adobe recently unveiled a new service called &#8220;Firefly,&#8221; an all-in-one creative tool that can be implemented on a single platform from content idea planning to creation and production through generative artificial intelligence (AI).According to Adobe on the 27th, Firefly helps creators create images, videos, audio, and vectors using excellent creative control in one place, repeatedly modifying creations across Adobe&#8217;s creative apps, and seamlessly connecting them to the production stage.In particular, Adobe has a broader AI-based creative ecosystem by providing user choices for partner models, including Google Cloud and OpenAI, in addition to its own commercially safe Firefly AI model.Additionally, Adobe has officially launched Adobe Creative AI models such as the new Firefly Image Model 4 for vivid images, the Firefly Model 4 Ultra for detailed and complex images, and the Firefly Video Model, which generates footages (unedited original material) with text prompts and images.         사진 확대    Image cut created by Adobe &#8216;Firefly&#8217;s Image Model 4. &lt;Photo = Dobie&gt;  Specifically, Firefly offers creative professionals the option to explore different styles using partner models. Google Cloud and OpenAI models are currently available, pal.Partner models such as ai, Idiogram, Luma, Pika, and Runways are expected to be available in the next few months. In addition, Firefly&#8217;s newly introduced Firefly Board (Public Beta) provides a space to create mood boards, explore creative concepts, and collaborate on ideas by repeating hundreds of variations at once.&#8221;Firefly will revolutionize the AI-powered creative production experience by providing image, video, audio and vector generation in a single space,&#8221; said David Wardwani, president of Adobe&#8217;s digital media business. &#8220;The integration of new Firefly models and partner models allows users to make the best choices to realize their vision.&#8221;         사진 확대    Image cut created by Adobe &#8216;Firefly&#8217;s Image Model 4. &lt;Photo = Dobie&gt;  For now, Firefly helps creative professionals work more productively and precisely by integrating image, video, audio and vector generation and providing exceptional creative control, Adobe explained.For example, it integrates seamlessly with Adobe&#8217;s creative applications such as Photoshop, Premier Pro, and Express to provide AI-powered support throughout all stages of the content production process, from idea planning to actual production.&#8221;Firefly&#8217;s commercially safe model supports multiple functions, including precise control of the camera angles of generated images and videos, designating the start and end frames of generated images, and translating audio and video into various languages,&#8221; Adobe said, in addition to the &#8220;structure and style reference&#8221; that provides a guide to Firefly&#8217;s results based on reference images.The new Firefly related to this will be available on the web, and a mobile app will be released soon.Meanwhile, the Firefly Image Model 4 can produce up to 2k resolution results, allowing creative professionals to cut and reconstruct images more precisely and print them for larger formats without compromising quality, Adobe stressed. In particular, Adobe explains that the Image Model 4 Ultra performs well in rendering complex scenes with small structures in projects that require perfect detail and realism.         사진 확대    Video created by a video model of Adobe &#8216;Firefly&#8217;. &lt;Video = Dobie&gt;  In particular, the official Firefly video model is a video model that can be used immediately for production. Creators can use the model to create 1080P-resolution video clips with text prompts or images, fine-tune videos with intuitive controls and fine-tuning camera settings that provide new levels of precision, create atmospheric scene elements, and develop custom motion design elements.An Adobe official said, &#8220;Dentz, PepsiCo, Gatorade, and Stagwell are using the Firefly video model and are highly appreciative of the fact that they support the creation of ready-to-use content.&#8221;In this regard, Adobe is introducing a new API to its Firefly service based on a commercially secure Firefly model to support the content creation process of enterprise customers. The Photoshop API, currently available in beta, allows companies to process image editing workflows more quickly, while the &#8220;Text to Video&#8221; and &#8220;Image to Video&#8221; APIs convert text and still shots into live-action clips.Adobe emphasized, &#8220;Avatar API, which can produce immersive video content such as API and product description video using the latest text using Firefly Image Model 4, will be released soon.&#8221;Meanwhile, the officially released &#8220;Text as a Vector&#8221; supports designers to create editable vector-based artwork, logo transformation, product packages, icons, scenes, and patterns using simple text prompts written in everyday language.         사진 확대    Video created by a video model of Adobe &#8216;Firefly&#8217;. &lt;Video = Dobie&gt;  In particular, Adobe&#8217;s Firefly has diversified its options so that partner models can be used in addition to its own models according to user preferences. It provides OpenAI&#8217;s image generation capabilities, Google&#8217;s Imagen 3, Bio2, and Flux 1.1 Pro. In the future, Adobe will follow.It also plans to further integrate partner models such as ai, Ethiopia, Luma, Pika, and Runways in the coming months.&#8221;We are excited to work with Adobe to provide creators with OpenAI&#8217;s image generation capabilities,&#8221; said Kevin Weil, chief product officer (CPO) of OpenAI. &#8220;With Adobe&#8217;s creative suite, which we already know and use, more people will be able to create consistent and contextual images, so we will also have more diverse ways to share ideas visually.&#8221;In this regard, creators can transparently check which models are being used at all stages and facilitate switching between models. AI-generated content automatically attaches a &#8220;content credential&#8221; to specify whether it is produced as an Adobe Firefly model or a partner model. For corporate customers, you can also choose to use the partner model throughout your organization.</p>

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		<post-id xmlns="com-wordpress:feed-additions:1">5194</post-id>	</item>
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		<title>AI agents are an opportunity to rethink creativity: Adobe’s Govind Balakrishnan</title>
		<link>https://www.digiteex.com/ai-agents-are-an-opportunity-to-rethink-creativity-adobes-govind-balakrishnan/</link>
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		<dc:creator><![CDATA[digitex]]></dc:creator>
		<pubDate>Thu, 24 Apr 2025 11:23:26 +0000</pubDate>
				<category><![CDATA[KI Technology]]></category>
		<category><![CDATA[Adobe]]></category>
		<category><![CDATA[Adobe Firefly]]></category>
		<category><![CDATA[adobe Firefly models]]></category>
		<category><![CDATA[ai agents]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[artificial intelligence]]></category>
		<category><![CDATA[Canva]]></category>
		<category><![CDATA[Firefly Video]]></category>
		<category><![CDATA[Govind Balakrishnan]]></category>
		<category><![CDATA[official]]></category>
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					<description><![CDATA[While the generative artificial intelligence (AI) battles continue in earnest, headlined by the likes of OpenAI, Google and others with the definitive leaps they make with new models, there is one focused AI product that continues to deliver within a focused set of apps. Adobe’s Firefly models, which can be further segregated depending on images, [&#8230;]]]></description>
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<br /> While the generative artificial intelligence (AI) battles continue in earnest, headlined by the likes of OpenAI, Google and others with the definitive leaps they make with new models, there is one focused AI product that continues to deliver within a focused set of apps. Adobe’s Firefly models, which can be further segregated depending on images, vectors or videos, have clocked more than 22 billion asset generations. The new Image Model 4 and Image Model 4 Ultra will underline Adobe’s AI efforts across apps including Express and Photoshop. At this year’s Adobe Max London conference, the company has detailed plans for general availability of Firefly Video models addition of non-Adobe models (GPT image generation, Google Imagen 3 and Veo 2, Flux) as choice for creators, an upcoming Firefly app for smartphones, and significant upgrades across Photoshop, Illustrator, Lightroom, Premiere Pro and InDesign.  PREMIUM The versatile Adobe Express platform is adding significant new functionality too. (Official photo) The versatile Adobe Express platform is adding significant new functionality too, as it competes with the likes of Canva as well as a number of AI-based tools that have become proficient at replicating some of Express’ functionality. The new additions add video generation, enhancing speech to remove background noise, animation for objects in static designs and an AI clip maker that creates shorter duration clips from a larger video, optimised for social media sharing. Adobe is taking forward steps with AI Agents, across Photoshop and Premiere Pro. Also Read:Agentic AI: Next big leap in workplace automation On the sidelines, Govind Balakrishnan, senior vice president for Express Product Group &amp; Digital Media Services at Adobe, spoke with HT from London, and detailed India’s importance as a market for Adobe Express, how important it is to leverage Firefly amidst stiffer competition, if Adobe Express’ perceived value proposition has changed with time and the excitement around AI Agents (Adobe has detailed plans to bring agentic AI to Express). Edited excerpts. Adobe Express has come a long way since the big revamp in 2021. Did Adobe, at that time, envision such a thick AI layer to envelope Express over time, and is Adobe Express today exactly as you’d thought of it then? The benefit of starting with a complete free platform is that we have an ability to think holistically about where we think the product should go, and we obviously have the advantage that we were beginning to see what was happening in the industry around us, including advancements that were happening in AI and more. Importantly, even the advancements happening in generative AI. One of the key tenets that we wanted to hold true to was that we would provide recommendations, that is we would not put the burden entirely on users to figure out what to do and when to do it. From the beginning, we architected the product in a way that we could provide font recommendations. We give our users access to more than 30, 000 fonts now, but that doesn’t help if you can’t figure out how to pick the right one. Look at the content, context, and we make some recommendations. Similarly, we are also making colour, stock assets and other recommendations. Users don’t have to go searching for these pieces of content. Then along came generative AI. We were still in the middle of building the product when generative AI started taking off as much as it did. Adobe has deep experience in generative AI base, and how we got Firefly to where it is today. But since we were building the product, we didn’t have to bolt it all as an afterthought. We have actually seamlessly and contextually integrated it with the workflows in the journey. While you’re creating, just add something as simple as video generation, that we just did. Now, it’s not something you start with. You actually start with your intent. You can start with video generation if you choose to, but the more natural way is, you’re now creating a Instagram reel for instance and as part of that, you’re putting some clips together. Now, you need a five second clip that is a filler potentially? So, in that workflow, in that context, we give you the ability to generate video. It’s that integration seamless integration as part of your workplace that has been a big advantage for us. Also Read: Video Gen AI battles begin, as Adobe releases Firefly Video model into the world Did we expect the product to be what it is today? I would say, not necessarily. I take pride in is the fact that the product has evolved based on what we are seeing and how we’re seeing our customers use the product. So, rather than us sort of saying, you know, this is exactly what the product should be, and this is how all the workflows and experiences should be, we have chosen to morph, adjust and build the product based on what we hear from our community and our users How pivotal has Firefly been to Express, as it has been to the likes of Photoshop and Premiere Pro for instance, and does that need to be Adobe’s AI trump card considering the AI ecosystem is creating focused alternative after alternative at a rapid pace? I would say yes, and for a few reasons. We have essentially created the creative category, and we have more experience and expertise in the creative space than any other company in the world. Our researchers have been hard at work for many years, making sure they build the models that are best in class. There will be pointed solutions that will come and obviously challenge us, which is great. But if you look at it holistically, I would say that our ability to deliver the best results is real and is something that we are investing in and stay ahead of everyone else. What then differentiates our Firefly models is that what we have built is safe for commercial use. We have trained these models with data that we have access to and essentially what we have done is, regardless of whether you’re a student, a solo planner or someone in a business, we have given you the ability to leverage generative AI capabilities and use it for your creative work without being concerned about your IP infringement of any kind. That’s the other one that we have held through to. Also Read: We aren’t building AI models for the sake of it: Adobe’s Deepa Subramaniam The third piece to this is that because we have built the tools that work on content. We have been able to bridge those solutions together and make those available through these seamless, contextually relevant touch points. The integration works better unlike a point solution that can be used to generate a stunning image. The questions, what do you do with that image? The image is not an end to itself, and you generally have to do something with the image. Perhaps put it into a poster, into a birthday card, or a social media campaign. We can now make all of that available to one single tool that gets you to start from an intent, use generative AI wherever your design, and then take it out with the flexibility across social media to banners to flyers. Users now have an end-to-end solution that only Adobe can provide right now. It’s a matter of plugging these pieces together and obviously continuing to make sure we deliver the highest quality delivered safely. Do the contours of perceived value proposition for Adobe Express change with time, and surely that ties in with what the consumer and business audiences are looking for? For consumers, in general, their primary goal is to get started with an intent as soon as possible. We give them the ability to either start with a template, their own content, or generate their own images or videos. You can essentially enter a prompt to generate a design, modify it and get to desired outcomes. As part of that journey, users are able to use our generative AI in a meaningful way. When I say generated, it relates to image generation, video generation, text effects and an ability to create captions for social content. With Enterprises, we are seeing a significant traction, and adoption, for generative AI in particular. That is given the quality of what’s created or generated, but more interestingly, also because whatever we generate for commercial use is proving to be something that a large number of enterprises care about and value. The fact that it’s safe for commercial use, and it’s the confidence that there is no IP infringement. Those are the two things that go hand in hand as it plays to the value proposition that we are offering with generative AI to enterprise customers. Also Read: Our AI innovation undergoes careful evaluation and diligence: Adobe’s Grace Yee AI agents are now very much part of the conversation for businesses, and perhaps in due course, for consumers too. What is Adobe’s vision for agentic AI in Adobe Express and what shall form the core of this evolution? This is an area once again that I get very excited about and often tell my team in the context of the advancements that we are seeing, and the tools that we have in our toolbox, are AI agents, now really a path to, or a way to interact with these applications. The opportunity that we have is to essentially reimagine and rethink creativity. This next wave, with the capabilities that are available and with the direction that we are headed in, we’re seeing just the tip of where we want to go. As we deliver on that vision, we think a user will now have the ability to essentially interact with the application, purely using prompt based interaction models. It can be conversational or input text based and a user will no longer have to take the time and energy to essentially learn a tool like Adobe Express to get work done. Think of it as the ability to bring what’s in your mind’s eye, to a digital service. No need to learn a tool to do that. What makes us even more magical though is that even as a user goes through that process, is the granular control to get to your desired outcome. The tools that we have in a product like Adobe Express are still available and a user can very seamlessly go from interacting using prompts to actually going into the tool and making the tweaks and adjustments manually. Users are not giving up on control by adopting, but enhancing an ability to start using these interfaces and capabilities to then get to the desired outcome as well as possible. Also Read: Video Gen AI battles begin, as Adobe releases Firefly Video model into the world Please tell us about India as a market for Adobe Express. What are users here demanding, and does that feedback and research help build for the rest of the world? India is one of the most unique markets in the world, through diversity and its dynamic nature. I strongly believe that it is one of our biggest growth areas as we look ahead, not just for Adobe Express, but more holistically for Adobe. Given how creative the Indian population is, India presents a huge opportunity. One of our biggest challenges previously was that we did not have the tools and applications that could lower the barrier to entry. To address the broad base of users in India, Adobe Express is bringing all these capabilities together and we believe we have lowered the barrier to entry sufficiently enough for us to have lots of viable and exciting offerings for India. We are going to invest heavily, and even based on investments and the advancements we have made, we are seeing a 3x increase in the number of Adobe Express users in India over the past 12 months. We expect that number to continue to grow. Our focus is on investing in making sure that we have the right content for the Indian market, be it templates, stock images, or forms. We are doing everything we can to increase the breadth of content that we have available for users in India. In parallel, we are also trying to build solutions such as an AI assistant and agent solutions that don’t necessarily rely on templates and content — a user simply explains what they want to do, and generate the right content. We will also add support for additional languages. We recently added a few additional languages in terms of localisation of the UI itself, but beyond that, we are making it so that users can translate content into as many as 15 Indian languages. Adobe is also partnering with educational institutions and the education industry at large, the Ministry of Education and we have a number of compelling partnerships in the works. There is a big opportunity in education for kids and students in schools and educational institutions to use Express for their learning and creative work. If we put it all together, it is a big opportunity for us in India. It is a priority and we intend to stay focused.<br />
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<br /><a href="https://www.hindustantimes.com/business/ai-agents-are-an-opportunity-to-rethink-creativity-adobe-s-govind-balakrishnan-101745487046485.html" target="_blank" rel="noopener">Source link </a></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">5075</post-id>	</item>
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		<title>Why AI could replace NFL first-down markers sooner than you might think</title>
		<link>https://www.digiteex.com/why-ai-could-replace-nfl-first-down-markers-sooner-than-you-might-think/</link>
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		<dc:creator><![CDATA[digitex]]></dc:creator>
		<pubDate>Thu, 30 Jan 2025 12:53:53 +0000</pubDate>
				<category><![CDATA[AI]]></category>
		<category><![CDATA[Deputy Chief Information Officer]]></category>
		<category><![CDATA[Doug Pensinger]]></category>
		<category><![CDATA[Getty Images]]></category>
		<category><![CDATA[Kansas City]]></category>
		<category><![CDATA[line-to-gain technology]]></category>
		<category><![CDATA[NFL stadium]]></category>
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					<description><![CDATA[For more than 100 years, football has been officiated using a simple chain 10 yards long. The so-called chain gang has been the sport’s judge and jury, ruling whether a ball traveled the number of yards needed for a team to get a first down — and four more chances to score.But artificial intelligence and [&#8230;]]]></description>
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<br />For more than 100 years, football has been officiated using a simple chain 10 yards long. The so-called chain gang has been the sport’s judge and jury, ruling whether a ball traveled the number of yards needed for a team to get a first down — and four more chances to score.But artificial intelligence and new technology could soon make the chain gang obsolete, with an advanced system known as Hawk-Eye aspiring to make the game faster and more accurate by mashing together high-tech software with a lot of cameras.In the 2024-25 preseason, the NFL tested Sony’s Hawk-Eye to make calls on “line to gain,” the officiating term for measuring the 10 yards a team needs to advance the ball to get a first down.Hawk-Eye uses up to 60 cameras, including those used for broadcasts, to piece together every possible angle on a given football play. That’s useful for referees who use it to scrub through the action frame by frame when they’re making play calls, but Sony and the NFL are now taking it one step further.Using feeds from six cameras with 8K resolution (four times as many pixels as a 4K camera), Hawk-Eye can now pinpoint the ball’s start and finish using artificial intelligence and determine whether it traveled the necessary 10 yards. Every NFL stadium is equipped to use Hawk-Eye for line to gain.“We did a lot of due diligence with the NFL to make sure that we’ve chosen the right cameras and the right placement of the cameras to make sure that our accuracy was where it needed to be,” said Dan Cash, managing director of Sony’s Hawk-Eye.A NFL referee signals a first down call in 2014.Doug Pensinger / Getty Images fileDoing so would reduce the time it takes for the chain gang to haul the bright orange markers onto the field and gauge whether the ball passed the line to gain. The tech could cut down on controversial calls in matchups when inches can be all the difference. In last weekend&#8217;s AFC conference title game between the Buffalo Bills and the Kansas City Chiefs, Buffalo quarterback Josh Allen rushed forward on fourth-and-inches early in the fourth quarter. Though it appeared he may have gotten the first down, officials ruled he did not. Kansas City got the ball back and scored a touchdown on their next drive. The Chiefs would win 32-29 and advance to the Super Bowl. During the regular season, Washington Commanders fans were up in arms after officials ruled that tight end Zach Ertz was short of a first down, securing the Pittsburgh Steelers a win. And in an infamous 2017 matchup between the Oakland Raiders and the Dallas Cowboys, then-NFL official Gene Steratore not only summoned the chain gang but also used an index card to rule that the ball did touch the line necessary for the Cowboys to earn a first down.“Here we are, across the bay from Silicon Valley, the high-tech capital of the world, and you got an index card that determines whether it’s a first down or a fourth down,” “NFL on NBC” play-by-play sportscaster Al Michaels said on the broadcast.About seven years later, that high tech is now coming to the game.Official Gene Steratore carries a folded piece of paper used to determine a measurement during a game between the Oakland Raiders and the Dallas Cowboys on Dec. 17, 2017. A few days later the NFL told its officials not to use index cards or any other paper to aid in measurements.Eric Risberg / AP fileNFL Deputy Chief Information Officer Aaron Amendolia said Hawk-Eye will also help make calls 40 seconds faster than pulling out the chains.“We’re going to get much more accurate on what we’re showing as far as measurements, but we’re also going to have a faster-moving game,” Amendolia said.Fred Gaudelli, the executive producer of “NFL on NBC,” said that makes for a better TV-viewing experience.“As attention spans become shorter and people have more distractions in life, the quicker you can get things done and get to a final answer. I think it’s better for the broadcast and it’s better for the audience,” he said.Football fanatics could notice a new element to their TV-viewing experience, as well, with Hawk-Eye feeding graphics that re-create ball positioning to show viewers exactly where the ball is relative to the line to gain.If that sounds familiar, it’s because Sony Hawk-Eye is the same technology used in tennis. The U.S. Open uses Sony Hawk-Eye to gauge whether a ball was out of bounds, and it re-creates the action in an animatic graphic for viewers to see. A preseason game between the Detroit Lions and the New York Giants fully deployed Hawk-Eye to determine whether a first down had been earned. Although Hawk-Eye was able to generate the image showing that the ball was indeed short, critics pointed out it took a while.“Are we going to use it if it takes this long?” Giants preseason analyst Phil Simms asked on the broadcast.There’s also the nostalgia factor with the chain gang, which some players aren’t willing to let go of.“It’s a part of the game,” Kansas City Chiefs tight end Travis Kelce said on the “New Heights” podcast.The line-to-gain technology, wasn’t used in the regular season and isn’t being used for the current postseason, will be tested again next preseason. “We need to have the right results,” Amendolia said, “and when we do, we’ll scale it up and out.”<br />
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		<title>Analysis: DeepSeek’s AI is giving the world a window into Chinese censorship and information control</title>
		<link>https://www.digiteex.com/analysis-deepseeks-ai-is-giving-the-world-a-window-into-chinese-censorship-and-information-control/</link>
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		<dc:creator><![CDATA[digitex]]></dc:creator>
		<pubDate>Thu, 30 Jan 2025 03:46:37 +0000</pubDate>
				<category><![CDATA[AI]]></category>
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					<description><![CDATA[Hong Kong CNN  —  Previously little-known Chinese startup DeepSeek has dominated headlines and app charts in recent days thanks to its new AI chatbot, which sparked a global tech sell-off that wiped billions off Silicon Valley’s biggest companies and shattered assumptions of America’s dominance of the tech race. But those signing up for the chatbot [&#8230;]]]></description>
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<p>  Hong Kong<br />
  CNN<br />
   — </p>
<p>   Previously little-known Chinese startup DeepSeek has dominated headlines and app charts in recent days thanks to its new AI chatbot, which sparked a global tech sell-off that wiped billions off Silicon Valley’s biggest companies and shattered assumptions of America’s dominance of the tech race.</p>
<p>   But those signing up for the chatbot and its open-source technology are being confronted with the Chinese Communist Party’s brand of censorship and information control.</p>
<p>   Ask DeepSeek’s newest AI model, unveiled last week, to do things like explain who is winning the AI race, summarize the latest executive orders from the White House or tell a joke and a user will get similar answers to the ones spewed out by American-made rivals OpenAI’s GPT-4, Meta’s Llama or Google’s Gemini.</p>
<p>   Yet when questions veer into territory that would be restricted or heavily moderated on China’s domestic internet, the responses reveal aspects of the country’s tight information controls.</p>
<p>   Using the internet in the world’s second most populous country is to cross what’s often dubbed the “Great Firewall” and enter a completely separate internet eco-system policed by armies of censors, where most major Western social media and search platforms are blocked. The country routinely ranks among the most restrictive for internet and speech freedoms in reports from global watchdogs.</p>
<p>   The international popularity of Chinese apps like TikTok and RedNote have already raised national security concerns among Western governments – as well as questions about the potential impact to free speech and Beijing’s ability to shape global narratives and public opinion.</p>
<p>   Now, the introduction of DeepSeek’s AI assistant – which is free and rocketed to the top of app charts in recent days – raises the urgency of those questions, observers say, and spotlights the online ecosystem from which they have emerged.</p>
<p>   One example of a question DeepSeek’s new bo, known as the R1, will answer differently than a Western rival? The Tiananmen Square massacre on June 4, 1989, when the Chinese government brutally cracked down on student protesters in Beijing and across the country, killing hundreds if not thousands of students in the capital, according to estimates from rights groups.</p>
<p>   Chinese authorities have so thoroughly suppressed discussion of the massacre in the decades since that many people in China grow up never having heard about it. A search for ‘what happened on June 4, 1989 in Beijing’ on major Chinese online search platform Baidu turns up articles noting that June 4 is the 155th day in the Gregorian calendar or a link to a state media article noting authorities that year “quelled counter-revolutionary riots” – with no mention of Tiananmen.</p>
<p>   When the same query is put to DeepSeek’s newest AI assistant, it begins to give an answer detailing some of the events, including a “military crackdown,” before erasing it and replying that it’s “not sure how to approach this type of question yet.” “Let’s chat about math, coding and logic problems instead,” it says. When asked the same question in Chinese, the app is faster – immediately apologizing for not knowing how to answer.</p>
<p>   It’s a similar patten when asking the R1 bot – DeepSeek’s newest model – “what happened in Hong Kong in 2019,” when the city was rocked by pro-democracy protests. First it gives a detailed overview of events with a conclusion that at least during one test noted – as Western observers have – that Beijing’s subsequent imposition of a National Security Law on the city led to a “significant erosion of civil liberties.” But quickly after or amid its response, the bot erases its own answer and suggests talking about something else.</p>
<p>   DeepSeek’s V3 bot, released late last year weeks prior to R1, returns different answers, including ones that appear to rely more heavily on China’s official stance.</p>
<p>   When asked about its sources, DeepSeek’s R1 bot said it used a “diverse dataset of publicly available texts,” including both Chinese state media and international sources. “Critical thinking and cross-referencing remain key when navigating politically charged subjects,” it said. CNN has approached the company for comment.</p>
<p>     How China’s DeepSeek app compares to ChatGPT</p>
<p>      How China’s DeepSeek app compares to ChatGPT</p>
<p>     02:48  </p>
<p>   Observers say that these differences have significant implications for free speech and the shaping of global public opinion. That spotlights another dimension of the battle for tech dominance: who gets to control the narrative on major global issues, and history itself.</p>
<p>   An audit by US-based information reliability analytics firm NewsGuard released Wednesday said DeepSeek’s older V3 chatbot model failed to provide accurate information about news and information topics 83% of the time, ranking it tied for 10th out of 11 in comparison to its leading Western competitors. It’s not clear how the newer R1 stacks up, however.</p>
<p>   DeepSeek becoming a global AI leader could have “catastrophic” consequences, said China analyst Isaac Stone Fish.</p>
<p>   “It would be incredibly dangerous for free speech and free thought globally, because it hives off the ability to think openly, creatively and, in many cases, correctly about one of the most important entities in the world, which is China,” said Fish, who is the founder of business intelligence firm Strategy Risks.</p>
<p>   That’s because the app, when asked about the country or its leaders, “present China like the utopian Communist state that has never existed and will never exist,” he added.</p>
<p>   In mainland China, the ruling Chinese Communist Party has ultimate authority over what information and images can and cannot be shown – part of their iron-fisted efforts to maintain control over society and suppress all forms of dissent. And tech companies like DeepSeek have no choice but to follow the rules.</p>
<p>   Because the technology was developed in China, its model is going to be collecting more China-centric or pro-China data than a Western firm, a reality which will likely impact the platform, according to Aaron Snoswell, a senior research fellow in AI accountability at the Queensland University of Technology Generative AI Lab.</p>
<p>   The company itself, like all AI firms, will also set various rules to trigger set responses when words or topics that the platform doesn’t want to discuss arise, Snoswell said, pointing to examples like Tiananmen Square.</p>
<p>   In addition, AI companies often use workers to help train the model in what kinds of topics may be taboo or okay to discuss and where certain boundaries are, a process called “reinforcement learning from human feedback” that DeepSeek said in a research paper it used.</p>
<p>   “That means someone in DeepSeek wrote a policy document that says, ‘here are the topics that are okay and here are the topics that are not okay.’ They gave that to their workers … and then that behavior would have been embedded into the model,” he said.</p>
<p>   US AI chatbots also generally have parameters – for example ChatGPT won’t tell a user how to make a bomb or fabricate a 3D gun, and they typically use mechanisms like reinforcement learning to create guardrails against hate speech, for example.</p>
<p>   “That’s how every other company makes these models behave better,” Snoswell said.</p>
<p>   “But it’s just that in this case, chances are that a Chinese company embedded (China’s official) values into their policy.”</p>
<p>   There have also been questions raised about potential security risks linked to DeepSeek’s platform, which the White House on Tuesday said it was investigating for national security implications.</p>
<p>   Concerns about American data being in the hands of Chinese firms is already a hot button issue in Washington, fueling the controversy over social media app TikTok. The app’s Chinese parent company ByteDance is being required by law to divest TikTok’s American business, though the enforcement of this was paused by Trump.</p>
<p>   Unlike TikTok, which says as of July 2022 it stores all American data in the US, DeepSeek says in its privacy policy that personal information it collects is stored in “secure servers located in the People’s Republic of China.”</p>
<p>   A comparison of privacy policies between DeepSeek and some of its US competitors also show concerning differences, according to Snoswell.</p>
<p>   Each DeepSeek, OpenAI and Meta say they collect people’s data such as from their account information, activities on the platforms and the devices they’re using. But DeepSeek adds that it also collects “keystroke patterns or rhythms,” which can be as uniquely identifying as a fingerprint or facial recognition and used a biometric.</p>
<p>   “I’ve never seen another software platform that says they collect that unless it’s designed for (those purposes),” Snoswell said. He also noted what appeared to be vaguely defined allowances for sharing of user data to entities within DeepSeek’s corporate group.</p>
<p>   “It’s way, way more permissive than anything you’d see from a Western software company,” he said.</p>

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